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                <text>Entry created by Kassidy Whetstone and Elizabeth Gerhardt (?)</text>
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                <text>The dark brown MSA SKULLGARD miner’s helmet has a black shoe string tied towards the bottom of the helmet. Inside, the helmet has bands that will support the miner’s head and a dark brown leather band lining the inner rim of the helmet. The MSA SKULLGARD hard hat is from the 1940s and made out of phenolic material</text>
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                <text>The object is available for education and research purposes and are a part of the Collection. This image may not be reproduced for commercial purposes without the express written consent of the Nevada State Museum, Las Vegas Collection</text>
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                <text>PAR Room 103; "Workroom" 1-30-20&#13;
 Dr. Clemente's Office 1-31-20</text>
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                <text>Octagonal hand-drum with cattle leather stretched over stapled/glued yellow pine wood. Sinew ties to hold leather on both sides in place. Front side features four decorative horses &#13;
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                <text>Indigenous Drum</text>
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                  <text>The "Ranch Day" Collections&amp;nbsp;&lt;br /&gt;&#13;
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                <text>Men's Tuxedo, Black</text>
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                <text>One black tuxedo. Pants and jacket only. Assumed to be worn by Rex Bell Sr. </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="855">
                <text>2012.3.25</text>
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                <text>UNLV Division Of Educational Outreach Collection</text>
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                <text>Approximately 1923 to 1979 </text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="859">
                <text>The objects are available for education and research purposes and are a part of the UNLV Division of Educational Outreach Collection. This image may not be reproduced for commercial purposes without the express written consent of the UNLV Division of Educational Outreach Collection.</text>
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                <text>&lt;a href="https://www.pbssocal.org/country-music/giddying-glitz-blinged-western-wear-nathan-turk-nudie-cohn/"&gt;News Article- Glitter Cowboy Fashion&lt;/a&gt;&lt;br /&gt;&lt;a href="https://library.si.edu/donate/adopt-a-book/how-west-was-worn"&gt;Book- "How the West was Worn"&lt;/a&gt;&lt;br /&gt;&lt;a href="https://vintagefashionguild.org/label-resource/turk-nathan/"&gt;N. Turk Labels&lt;/a&gt;</text>
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                <text>PAR 103; "Workroom"</text>
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                <text>Men's Suit</text>
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                <text>A N. Turk suit believed to be worn by Rex Bell Sr. Turk garments is heavily associated with cowboy culture and the myth of the West. Turk garments are also custom made and associated with other celebrities such as Gene Autry. A black suit with potentially silk details. N. Turk label on the inside of pants with a stripe down the legs. The jacket includes front leaf-like detail with potentially silk lapel and cuffs. Three buttons on each cuff and two buttons on the top pants.</text>
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                <text>Entry created by Alex Shear, Nicole Batten, and Sam Carmer</text>
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        <name>Rex Bell</name>
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                <text>Hat Stretcher</text>
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                <text>The wooden Milliner's Hat Stretcher is a device typically found in a milliner's, for correctly sizing hats to the customer.  It has a flat platform, cracked from age, raised from the surface it sits on by four rubber feet, screwed to the base.  The feet are hardened and cracked by age.  The sizing apparatus consists of two wooden halves, connected by two bars which the movable portion slides on, which pass through the movable half and turn town to bolt through the base.  A thin plastic sizing template is mounted to the base with pins, graduated in hat size, centimeters of circumference, and inches of circumference.  Movement of the sizing mechanism is via a coarse threaded rod through both halves, terminated on the back by a riveted collar and turned by a simple cylindrical bar at the front end.  There is a hole through the movable half which the upper guide pin moves through.</text>
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                <text>Accessioning Number 2011.2.287</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="874">
                <text>The object is available for education and research purposes and is a part of the UNLV Division of Educational Outreach Collection.  This image may not be reproduced for commercial purposes without the express written consent of the UNLV Division of Educational Outreach Collection.</text>
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                <text>A 3D object associated with fitting hats at a milliner's shop.</text>
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            <name>Mediator</name>
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                <text>Entry created by Matthew Conner</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>Vintage sources on 1920s and 1930s Millinery Practices:&lt;br /&gt;&lt;a href="https://books.google.com/books?id=jNtZzGa3RNIC&amp;amp;pg=PA495&amp;amp;dq=Milliner%27s+Hat+Stretcher&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;sa=X&amp;amp;ved=2ahUKEwjDo-f9tv_nAhWnCTQIHWYqC0cQ6AEwAXoECAQQAg#v=onepage&amp;amp;q=Milliner's%20Hat%20Stretcher&amp;amp;f=false"&gt;1938 - Job Descriptions for the Retail Trade, Volume 2 - Milliner - Millinery Artist&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://books.google.com/books?id=hP1PAAAAYAAJ&amp;amp;pg=RA3-PA3&amp;amp;dq=Milliner%27s+Hat+Stretcher&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;sa=X&amp;amp;ved=2ahUKEwjDo-f9tv_nAhWnCTQIHWYqC0cQ6AEwAHoECAMQAQ#v=onepage&amp;amp;q=Milliner's%20Hat%20Stretcher&amp;amp;f=false" target="_blank" rel="noopener"&gt;Illustrated Milliner Company. “The Illustrated Milliner: American Authority on Millinery, Manufacturer's Edition, Volume 23.8” (August 1922): 19m&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Contemperary Sources:&lt;br /&gt;&lt;span&gt;Reynolds, William and Rich Rand. &lt;/span&gt;&lt;i&gt;&lt;span&gt;The Cowboy Hat Book&lt;/span&gt;&lt;/i&gt;&lt;span&gt;. Salt Lake City: Gibbs Smith, 2003.&lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Hopkins, Susie. &lt;em&gt;The Century of Hats: Headturning Style of the Twentieth Century&lt;/em&gt;. Chartwell Books, 1999&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;a href="https://books.google.com/books?id=jNtZzGa3RNIC&amp;amp;pg=PA495&amp;amp;dq=Milliner%27s+Hat+Stretcher&amp;amp;hl=en&amp;amp;newbks=1&amp;amp;newbks_redir=0&amp;amp;sa=X&amp;amp;ved=2ahUKEwjDo-f9tv_nAhWnCTQIHWYqC0cQ6AEwAXoECAQQAg#v=onepage&amp;amp;q=Milliner's%20Hat%20Stretcher&amp;amp;f=false"&gt;&lt;/a&gt;</text>
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                <text>A device like this would have been used to stretch hats. Cowboy hats, usually being made out of a combination of felt and leather,  required a great deal of work to manufacture. A hat stretcher was used to stretch the fit of finished hats that would normally be initially tight for the wearer, and to make a custom fit.</text>
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        <name>Hat</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Leather Bound Book</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>The Walking Box Ranch Collection</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="881">
                <text>A leather bound book. The front cover features the name "Rex Bell" in beveled letters. The cover also features an embossed/engraved image of a cowboy on a horse in the desert. The back cover features an embossed/engraved floral image. There is also sewn leather edging. The inside features blank sheets of paper that are tied together with a lace. The lace tie features a floral piece on the back. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="882">
                <text>Approximately 1930s </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883">
                <text>The object is available for education and research purposes and are part of the UNLV Division of Educational Outreach Collection. This image may not be reproduced for commercial purposes without the express written consent of the UNLV Division of Educational Outreach</text>
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            <name>Type</name>
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                <text>Physical Object</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="885">
                <text>There is a sticker on the back that does not appear to be stuck to the leather, easily removable. </text>
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                <text>Entry created by Jennifer Kimball and Timothy Brown</text>
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            <name>Identifier</name>
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                <text>Artisan - Custom Made</text>
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        <name>Leather</name>
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        <name>Rex Bell</name>
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                  <text>The "Ranch Day" Collections&amp;nbsp;&lt;br /&gt;&#13;
&lt;div&gt;&lt;/div&gt;</text>
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                <text>Rex Bell Jr. District Attorney Plate</text>
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                <text>The Walking Box Ranch Collection</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A copper, brass or bronze plate with lettering "Rex Bell District Attorney" "Clark County Nevada" "Manuel Guerrero" containing a tooled embellishment of a Joshua Tree in a desert landscape. The textured designs on the plate are tooled using a combination of engraving and embossing (double check correct terminology). The back of the plate contains an apparatus to hang it on a wall, which indicates it was used for a decorative rather than a utilitarian purpose. There is some spotted discoloration on either end of the central design.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Approx. 1980s&amp;nbsp;&lt;br /&gt;&lt;a href="https://en.wikipedia.org/wiki/Rex_Bell" target="_blank" title="Rex Bell was District Attorney from 1987-1995" rel="noreferrer noopener"&gt;Rex Bell Jr. was District Attorney from 1987-1995&lt;/a&gt;</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>UNLV Division of Educational Outreach</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The object is available for education and research purposes and are part of the UNLV Division of Educational Outreach Collection. This image may not be reproduced for commercial purposes without the express written consent of the UNLV Division of Educational Outreach</text>
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                <text>Length: 19.5 in.&#13;
Width: 19.5 in.&#13;
Height: 1 in.</text>
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            <description>A language of the resource</description>
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                <text>English</text>
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                <text>The back of the plate contains a sticker (Household item H22). Sticker appears to be easily removable.</text>
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            <name>Mediator</name>
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                <text>Entry created by Jennifer Kimball</text>
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                <text>There is a name on the plate, "Manuel Guerro" which popped up in a Google seach. &lt;a href="https://books.google.com/books?id=6WBMMF-FqeQC&amp;amp;pg=PA276&amp;amp;lpg=PA276&amp;amp;dq=Manuel+Guerrero+artisan&amp;amp;source=bl&amp;amp;ots=ge5h-T9LIi&amp;amp;sig=ACfU3U2YJYOqDeUmpfHVMQ8bqA7s2SsRwQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiSnrvitMDnAhXJJzQIHS85BG0Q6AEwA3oECAkQAQ#v=onepage&amp;amp;q=Manuel%20Guerrero%20artisan&amp;amp;f=false"&gt;"Don Manuel Guerro, a master brass artisan (latonero)"&lt;/a&gt;&lt;br /&gt;one Chilean Liberal activist of the 19th century, also mentioned &lt;a href="https://books.google.com/books?id=OB0-EqerEFUC&amp;amp;pg=PA71&amp;amp;lpg=PA71&amp;amp;dq=Manuel+Guerrero+artisan&amp;amp;source=bl&amp;amp;ots=DPSqxmztAN&amp;amp;sig=ACfU3U1_HjMJihVtg1yJaQfgmGFI0XRo3g&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=2ahUKEwiSnrvitMDnAhXJJzQIHS85BG0Q6AEwAnoECAoQAQ#v=onepage&amp;amp;q=Manuel%20Guerrero%20artisan&amp;amp;f=false" target="_blank" rel="noreferrer noopener"&gt;here. &lt;/a&gt;I'm not sure if it's significant to the making of the plate, but because of the similaries, I've left it here until we can further assess the connection.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Clara Bow Makeup Box</text>
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            <description>An account of the resource</description>
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                <text>A leather tooled box. The top of the makeup box features a leather handle and a medal engraved label that has the name: "Clara Bow" on it. The outside of the box features a leather floral and leaf design. Contains a metal clasp on the front side of the box. The bottom of the makeup box has metal circular feet. The inside of the makeup box lid has a glass mirror which is held by two red leather straps. The inside of the box has fragments of red leather.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The object is available for education and research purposes and are part of the UNLV Division of Educational Outreach Collection. This image may not be reproduced for commercial purposes without the express written consent of the UNLV Division of Educational Outreach Collection.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Length: 12 in.&#13;
Width: 9 in.&#13;
Height: 5 in.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>PAR Room 103&#13;
2/7/2020</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>Condition Report: There is abrasions around the entire outside of the makeup box. The handle is also very worn with embrittlement. There is several different accretions around the outside of the makeup box. the inside features a lot of discoloration. There are loose pieces of leather on the inside along with a piece of wool. The inner sides of the painting is fraying. There are colors from makeup on the edges of the inside of the makeup box. There is flaking on the inside of the box from the leather. The mirror is being effected by desilvering.</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>UNLV Division of Educational Outreach</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>Artisan - Custom Made</text>
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        <name>Clara Bow</name>
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        <name>Leather</name>
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        <name>make up case</name>
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              <name>Title</name>
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                  <text>The "Ranch Day" Collections&amp;nbsp;&lt;br /&gt;&#13;
&lt;div&gt;&lt;/div&gt;</text>
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                  <text>UNLV Photo Services </text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Indigenous Clay Painted Water Jug/Acoma Canteen</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>The Walking Box Ranch Collection</text>
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            <name>Description</name>
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                <text>An Acoma Canteen painted with designs indicative to indigenous art styles, for decorative use. The jug has all round edges with no flat bottom, and a leather strap, indicating that it may have been displayed by hanging on a wall. &#13;
&#13;
The other two appear to be very aged, indicative of what store the item was purchased at. One sticker contains the name of the store, with faded yellow ink below it "P-222", the other says "Acoma Canteen."  The store has been active since 1976.</text>
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                <text>Approx. mid to late 1970s</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="932">
                <text>The object is available for education and research purposes and are part of the UNLV Division of Educational Outreach Collection. This image may not be reproduced for commercial purposes without the express written consent of the UNLV Division of Educational Outreach&lt;/p&gt;</text>
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                <text>Length: 9 in.&#13;
Width: 8 in.&#13;
Height: 7 in.</text>
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                <text>Physical Object</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>PAR 103 "Workroom" at UNLV Paradise Campus</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>There are three stickers on the item. One is a recent blue duct tape "H164" indicative of recent cataloging.&#13;
The creation of the artifact coincides with a period of time in the 1970s where interest in Indigenous art began to increase and was used as a means of cultural preservation and expression and economic output by indigenous communities.</text>
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            <name>Mediator</name>
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                <text>Entry created by Jennifer Kimbal</text>
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            <name>References</name>
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              <elementText elementTextId="938">
                <text>Dillingham Rick, Melinda Elliott and Joan Kathryn O'Donnell. Acoma &amp;amp; Laguna Pottery. Seattle: School of American Research Press, 1992. &lt;br /&gt;&lt;br /&gt;Lanmon, Dwight P., Francis Harvey Harlow. The Pottery of Acoma Pueblo. Museum of New Mexico Press, 2013. &lt;br /&gt;&lt;br /&gt;Sikorski, Kathryn A. Modern Hopi Pottery. Logan: Utah State University Press, 1968.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Creator indicative of a sticker on the back.&lt;br /&gt;&lt;a href="https://www.garlandsjewelry.com/collections/pottery" target="_blank" title="Text from sticker" rel="noreferrer noopener"&gt;Garland's Navajo Rugs, Sedona AZ&lt;/a&gt;</text>
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    <tagContainer>
      <tag tagId="27">
        <name>Indigenous materials</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
