The key to the case is tied to a string on the main panel.]]>"The Kathleen Mary Quinlan Story - From Masseuse to Cosmetics Royalty
Clara Bow was a film icon known for her good looks, which she accentuated using the styles of makeup popular in the 1920s and 1930s. Photoraphs of Clara from UNLV Special Collections show her use of cosmetics, here, here and here.]]>https://www.umass.edu/umpress/title/book-american-windsor-furniture
Link to-Henry Ford Digital Collection]]>
Length 8""
Height 13.5"]]>
and are a part of the UNLV Division of Educational
Outreach Collection. This image may not be reproduced for
commercial purposes without the express written consent
of the UNLV Division of Educational Outreach Collection]]>
]]>Viola Grae - Link to Book "A Hundred Year's of Western Wear"]]>Viola Grae - Link to Book "A Hundred Year's of Western Wear"
Beard, Tyler. 100 Years of Western Wear. Salt Lake City: Gibbs Smith, 1993.
George-Warren, Holly and Michelle Freedman. How the West was Worn. New York: Harry N. Abrams, 2001.
Rex Bell sold such pieces in his store, shown here.
]]>
Viola Grae]]>
]]>
Journal of Fashion Marketing and Management 3.2 (February 1999): 166-178.
Buckley, Roger. Hong Kong: The Road to 1997. Cambridge: Cambridge University Press, 1997.
Hiemstra-Kuperus, Els, Lex Heerma van Voss. The Ashgate Companion to the History of Textile
Workers, 1650-2000. Routledge, 2010.
Roy, Tirthankar. The Economy of South Asia : From 1950 to the Present. Palgrave Macmillan,
2017.
Tsang, Steve Yui-Sang. A modern history of Hong Kong. Bloomsbury Publishing, 2003.
Yoo, Becky P.Y. “The Textile and Clothing Industries Under the Fifth Kondratieff Wave: Some
Insights from the Case of Hong Kong.” World Development 30.5 (May 2002): 847-872]]>
The hat is made of cream felt material, with several written messages, including an autograph by Clara Bow and Rex Bell. There is a fastened cream cloth ribbon around the brim. The hat is very worn; stained stained with an unknown hair or hairlike fibers scattered on the brim, and torn in several places. The inside of the hat contains the torn remains of a leather inner-brim section, and a frayed cloth bow.]]> Names and Phrases, written in pencil, counter-clockwise from the bow:
"The Westerner" references to the 1940 film of the same name "Tonto, 'Getum up Scout" refers to the sidekick in the Lone Ranger movie serial with Victor Daniels A.K.A Chief Thundercloud. Although the catchphrase is more closely associated with the 1949 TV series where Mohawk actor Jay Silverheels was cast in the role. "The Lone Ranger, 'Hi Ho Silver" refers to the 1938 movie serial of the same name. Hi-Yo Silver is the horse the hero of the story rides. "Little Beaver, 'You Betum, Red Ryder" is in reference to the Red Ryder comic that ran from 1938 to 1964. "Best Wishes, Rex Bell, Clara Bow" (Autograph) "California Carlson" "Hopalong Cassidy" are in reference to the movie series starring William Boyd that started out in the 1930s but became more extensive in the 1940s and 1950s. Actor Andy Clyde starred as California Carlson in the series.]]>Shwayder Bros Inc, Hat Box Patent]]>
Length: 17 in.
Width: 18 in.
Height; 7.5 in.
Boyle Luggage image for U.S. Patent Office.]]>
Width: 6 in.
Height: 17 in.]]>
The other two appear to be very aged, indicative of what store the item was purchased at. One sticker contains the name of the store, with faded yellow ink below it "P-222", the other says "Acoma Canteen." The store has been active since 1976.]]>
The creation of the artifact coincides with a period of time in the 1970s where interest in Indigenous art began to increase and was used as a means of cultural preservation and expression and economic output by indigenous communities.]]> Lanmon, Dwight P., Francis Harvey Harlow. The Pottery of Acoma Pueblo. Museum of New Mexico Press, 2013.
Sikorski, Kathryn A. Modern Hopi Pottery. Logan: Utah State University Press, 1968.]]>
Width: 8 in.
Height: 7 in.]]>Garland's Navajo Rugs, Sedona AZ]]>
Width: 9 in.
Height: 5 in.]]>
2/7/2020]]>